In Ferid
Boughedir's film "Halfaouine", the main character, Noura who is a twelve-year-old
boy, comes of age in Tunisia during the 1960's. The movies plays a lot on
nostalgia of Noura missing the previous Tunisia he knew as a child because the
current state of Tunisia is controlled under a strict dictator. The movie
also touches upon Noura trying to be an adult in a world with separate spheres.
Therefore, there's a parallel between patriarchal oppression and the
brutality of the police state throughout the movie. One theme that I find
very interesting in this film is the concept that "eroticism is a form of
liberation." At twelve years old, Noura still goes to the baths with
his mother and all the other women in the town, and it is here that he begins to
become aroused by the female body. This movie takes place in an Arabic
country, but sexual expression is very opposite than one would think.
Noura wants to express his sexual desires, like when he has sex with the
maid, but he struggles with living in a society that promotes "penis
dominance." Because Noura is an Arabic male, he needs to suppress
his desires in order to become a patriarchal figure, which will ultimately
prove him to be an adult. The irony that I find is that while typically
the men should be free to express their sexual desires, in Tunisia, they have
to suppress it while the women are free to enjoy the pleasures of life.
It is also ironic that Tunisia, still an Arabic country, has equal rights
for women unlike any other Arab country. It seems that neopatriarchy
really does cause dysfunction because the males have to suppress their desires
to be seen as dominant, when Boughedir is trying to say that everyone should
"follow your desire". In the film, we see women wearing the
typical headdress that Arabic women are supposed to wear, but they wear it
loosely and they even take it off. This
speaks a lot about how women in Tunisia are more control of their bodies and
sexual desires than in most places in the world. Usually, especially in Arabic countries, the
men are in control as the patriarch, but also in terms of their sexual
desires. In many Arabic countries, men
have multiple wives, and can have sex with whomever they please. It is very interesting because in Tunisia, it
is the women who are the ultimate temptresses.
We see this in the scene when the two young boys follow the girls at the
market. The boys and all the men are drooling
over the women, not knowing how to act, while the women, even some younger
girls, yield seduction and have control over making men want them. It seems that while patriarchy does exist in
Tunisia, it really is not as powerful as people think. While men do technically control their
households, they are ultimately pawns of the seduction of women’s sexual
desires. I think that this says a lot
about how influential desires can be. I
think that this movie shows that desires can be more powerful than any other
influence like the police state or patriarchy, which is why it should not be
oppressed.
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